Selected Press
Cierra Martinez, “‘Click My Mouth’ clicks off at SJSU”, Spartan Media Group — March 18, 2026
Andrew Paul Woolbright, “Mad World 2026: A Bag to Breathe Into”, Brooklyn Rail (New York, NY) — June 2026
Hrag Vartanian and Valentina Di Liscia, “Things Not Seen”, Hyperallergic / Jewish Currents — December 10, 2024
Arielle Angel, “Controversy at the Contemporary Jewish Museum”, On the Nose podcast by Jewish Currents — May 2, 2024
Nastia Voynovskaya, “Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit”, KQED (San Francisco, CA) — April 8, 2024
Anka Wandzel, “Dzisiaj w Betlejem (Today in Bethlehem)”, Dwutygodnik — December 2023
Alexander Ullman, “In Mills College Art Museum Show, Technology Becomes an Active Collaborator”, KQED (San Francisco, CA) — November 7, 2023
Leora Fridman, “A Birth of One’s Own: On Inheritance, Curation, and Production”, Ayin Press — May 16, 2023
Sarah Rose Sharp, “New Generation of Jewish Artists Pushes Sensitive Buttons”, Hyperallergic — April 26, 2023
Ramona Wadi, “Captured on Camera: the 'weapon' that exposes Israeli state and settler violence”, The New Arab (Online) — May 12, 2021
Alyssa Greenberg, “Art of the Possible”, Alta — June 9, 2021
Emily Bell, “Liat Berdugo: The Weaponized Camera”, Unsettled Podcast (Online) — February 22, 2021
Justine Paradis, “The Olive and the Pine”, Outside/In podcast, New Hampshire Public Radio — October 8, 2020
Laura Hunter, “An Outstanding Exhibition of Video Art Arrives Right on Time”, Nashville Scene (Nashville, TN) — May 14, 2020
Kate Durbin, “Art about Amazon Expresses Vulnerable Humanity in the Face of a Ubiquitous Behemoth”, Art in America (Online/Print) — March 5, 2020
Rochelle Spencer, “What Will Social Networks Look Like After the Internet? An Afrofuturistic Vision of Offline Communities”, Lit Hub — February 13, 2019
Sarah Burke, “Four people helped me write this essay: An investigation of authorship, community, and the value of informal collaborations”, The Creative Independent (Online) — February 4, 2019
Blythe Sheldon, “Crypto-Bros Beware: These Artists Aren't Buying Your Version of Utopia”, KQED Arts (San Francisco, CA) — January 28, 2019
Claire Mullen and Sarah Burke, “In a Living Room”, New Life Quarterly (Print/Web) — September 15, 2018
Kealey Boyd, “Bringing Our Social Media Spaces and Selves into the Gallery”, Hyperallergic — April 27, 2018
Sarah Hotchkiss, “Enter the Bizarrely Banal World of Military PowerPoint Presentations”, KQED Arts — March 2, 2018
Matthew Gault, “The Pentagon Has the Worst PowerPoint Slides You've Ever Seen”, Vice Motherboard (Online) — February 20, 2018
Cory Doctorow, “The Internet Archive's Military Industrial Powerpoint Complex”, Boing Boing (Online) — February 20, 2018
Martin Egnash, “'PowerPoint Karaoke' to Celebrate the Best and Worst of a Modern Military Requirement”, Stars and Stripes (Online/Print) — February 22, 2018
Chris Hampton, “What's Right About The Wrong Biennale?”, The New York Times (New York, NY) — January 22, 2018
Blythe Sheldon, “Community Forms Around Art and Tech in Bay Area Living Rooms”, KQED Arts — January 15, 2018
Leora Fridman, “Slack Channel”, SFMOMA Open Space — November 13, 2017
Sophia Wang, “Spaces Together: Alternative Sites for Bay Area Artists”, The Brooklyn Rail — November 2, 2017
Silvio Lorusso, “Notes on Mugtivism and Precarious Merchandising”, Entreprecariat, Institute of Network Cultures — July 17, 2017
Editors, “Anti-Trump Aerobics: Resistance takes endurance”, Fusion — May 6, 2017
Olivia Blair, “Anti-Trump Aerobics Class Organised to Mark US President's First 100 Days”, The Independent (London, UK) — May 4, 2017
Karen Hao, “Exercise Your Freedom of Speech with Anti-Trump Aerobics”, Mother Jones (Online) — May 3, 2017
Lily Herman, “There Is Now an Anti-Trump Aerobics Class”, Allure (Online) — May 3, 2017
Shachar Peled, “How Artists Are Marking Trump's 100th Day in Office”, CNN Politics (Online) — April 29, 2017
Claudia Escobar and Siouxsie Oki, “YBCA Artists Work to Personalize the Definition of Freedom”, KQED Arts — January 4, 2017
Sarrita Hunn and James MacAnally, eds., To Make a Public: Temporary Art Review 2011–2016, INCA Press (Seattle, WA) — 2017, pp. 50–56
Sarah Burke, “Art for the New Economy, Where Everyone’s Got a ‘Side Gig’”, KQED Arts — November 15, 2016
Sarah Burke, “Side Gig at B4bel4b”, East Bay Express (Oakland, CA) — November 22, 2016
Sarah Burke, “Living Room Light Exchange Salon Series: Where Tech and Art Converge”, East Bay Express (Oakland, CA) — September 28, 2016
Teresa Dillon, “Why We Make”, Transmediale — September 9, 2016
Emily Holmes, “Notes From a Secret Art and Technology Sleepaway Camp”, KQED Arts — July 22, 2016
Dorothy Santos, “Talking Art and Tech in Bay Area Living Rooms”, Rhizome — July 20, 2016
Nadja Sayej, “Internet Sleepovers are a Thing You Didn’t Know About”, Vice — June 22, 2016
Joshua Simon, “Schulden, oder: die Materialität des Dividuums,” (“Debt and the Materiality of the Dividual”), Springerin, Issue 1 (Winter 2016), pp. 40-43. Print.
Andrea Liu, “Report: Transmediale: Festival for Art & Digital Culture,” Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 43, Issue 6 (2016), pp. 2-3. Print.
James Padilioni Jr., “Interview with Emily Martinez and Liat Berdugo on Art, Neoliberal Subjectivity, & the Sharing Economy: Epistemic Unruliness 4”, Always Already Podcast (Online) — November 23, 2015
Dorothy Santos, “Welcome to World Wide West: A Summit on the 'Side Effects' of Technology”, Hyperallergic — July 31, 2015
Noam Dorr, “Noam Dorr on Liat Berdugo's The Everyday Maths”, Essay Daily (Online) — November 14, 2012
Editors, “Liat Berdugo's Switch”, STIGMART/10: Deterritorialization (Print/Online) — 2012